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Ergebnis der AAP-Volltext-Katalogsuche nach Conceptual Writing

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thalmair-A-Set-of-Lines
thalmair-A-Set-of-Lines
thalmair-A-Set-of-Lines

Thalmair Franz, Hrsg.: Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of Paper, 2015


Thalmair Franz, Hrsg.
Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of Paper
Berlin (Deutschland): Revolver Publishing, 2015
(Buch) 80 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-274-6
Techn. Angaben Broschur, mit zahlreichen Abbildungen, drei Bände in Banderole,
ZusatzInformation "A Set of Lines, A Stack of Paper" is the second in a series of exhibitions and publication based on a wide-reaching research about writing with the title 'Possible Content for 18 Pages'. The original typewritten manuscript of Vilém Flusser's essay 'The Gesture of Writing' provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication. 'To write,' says the philosopher about the basic requirements that should lead to a complete piece of writing, we need 'a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, 'orthography' = correct writing, the rules which order that language, what is called 'grammar', an idea to be expressed in a language, and a motive to express that idea'. Understanding the act of writing as a culturally embedded gesture, 'A Set of Lines, A Stack of Paper' covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the correspondent exhibition at KARST, Plymouth (June 5 - July 5, 2015). The publication comprises an exhibition documentation with installation views and a curatorial statement. Furthermore, the author Maria Fusco situates the concept of the exhibition in an actual context of literature.
The participating visual artists expand the topic of the exhibition with artistic contributions especially made for the book.
Text von der Webseite
Namen Ane Mette Hol / Birgit Knoechl / Egon van Herreweghe / Franz Thalmair / Heinrich Dunst / John Wood / Karolis Kosas / Lotte Lyon / Maria Fusco / Maria Fusco / Ovidiu Anton / Paul Harrison / Peter Downsbrough
Sprache Englisch
Geschenk von Franz Thalmair
Stichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer
016715579 Einzeltitelanzeige (URI) Änderung
thalmair-Lorem-Ipsum-Dolor-Sit-Amet
thalmair-Lorem-Ipsum-Dolor-Sit-Amet
thalmair-Lorem-Ipsum-Dolor-Sit-Amet

Thalmair Franz, Hrsg.: Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet, 2016


Thalmair Franz, Hrsg.
Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet
Berlin (Deutschland): Revolver Publishing, 2016
(Buch) 200 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-345-3
Techn. Angaben Fadenheftung, mit zahlreichen Abbildungen, drei Bände in Banderole, Anschreiben liegt bei,
ZusatzInformation “Lorem Ipsum Dolor Sit Amet” is the third in a series of exhibitions and publication based on a wide-reaching research about writing with the title “Possible Content for 18 Pages”. The original typewritten manuscript of Vilém Flusser’s essay “The Gesture of Writing” provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication.
“To write,” says the philosopher about the basic requirements that should lead to a complete piece of writing, we need “a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, ‘orthography’ = correct writing, the rules which order that language, what is called ‘grammar’, an idea to be expressed in a language, and a motive to express that idea”.
Understanding the act of writing as a culturally embedded gesture, “Lorem Ipsum Dolor Sit Amet” covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the eponymous performance by Lois Bartel at the Akademie der Künste in Berlin (June 11, 2016) and contains a curatorial-editorial statement by Franz Thalmair. Furthermore, the artist Michalis Pichler and the professor for media theory and aesthetics Oliver Ruf situate the publication in an actual context of literature and criticism. The participating visual artists expand the topic of the research with artistic contributions especially made for „Lorem Ipsum Dolor Sit Amet“.
Text von der Webseite
Namen Agnes Fuchs / Alejandro Cesarco / Charles Gute / Daniel Gustav Cramer / Haris Epaminonda / Irma Blank / Lois Bartel / Natalie Czech / Nikolaus Gansterer / Rafaël Rozendaal / Thomas Freiler
Sprache Englisch
Geschenk von Franz Thalmair
Stichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer
016717579 Einzeltitelanzeige (URI) Änderung
conceptual-poetics-day-2016
conceptual-poetics-day-2016
conceptual-poetics-day-2016

Pichler Michalis, Hrsg.: Conceptual Poetics Day 2016, 2016


Pichler Michalis, Hrsg.
Conceptual Poetics Day 2016
Berlin (Deutschland): Akademie der Künste, 2016
(Plakat) 2 S., 42x29,6 cm, 2 Stück.
Techn. Angaben beidseitig bedruckt, Vorderseite Poster, Rückseite Programm,
ZusatzInformation Poster von Haris Epaminonda.
Veranstaltung im Rahmen der Miss Read: The Berlin Art Book Fair 2016 am 11.06.2016 in der Akademie der Künste Berlin.
CONCEPTUAL POETICS DAY 2016 is organized by Michalis Pichler at Miss Read: The Berlin Art Book Fair in collaboration with Akademie der Künste and Literaturwerkstatt Berlin.
The Conceptual Poetics Day is an annual event that exlores the imaginary border between visual art and literature.
Der Conceptual Poetics Day ist eine jährlich stattfindende Veranstaltung, die die Grenze zwischen bildender Kunst und Literatur auslotet.
Text von der Webseite
Sprache Deutsch / Englisch
WEB www.conceptualpoetics.org
TitelNummer
015934K57 Einzeltitelanzeige (URI) Änderung
andreasen-writing-over
andreasen-writing-over
andreasen-writing-over

Andreasen Kasper: Writing Over, 2013


Andreasen Kasper
Writing Over
Amsterdam (Niederlande): Roma Publications, 2013
(Buch) 100 S., 28,5x21 cm, Auflage: 600, ISBN/ISSN 978-90-7745-991-1
Techn. Angaben Broschur
ZusatzInformation Writing Over is a drawing atlas which focuses on the relationship between the gestures of drawing, writing and map-making. The book serves as companion volume to the instal­la­tion Writing Over, which was shown in 2012 at Netwerk in Aalst. The draw­ings which are partly derived from a personal and collective history are rendered in different types of land­scapes and maps. These are accom­pa­nied by an ‘Atlas Archive’. a study of surfaces used in this carto­graphic process – sketches, stamps, media images, engraving plates, notations – and a short story by Louis Lüthi, entitled Unalaska Alaska.
Text von der Webseite
Stichwort Landkarte / Landschaft / Zeichnung
WEB www.kasperandreasen.com
TitelNummer
015737574 Einzeltitelanzeige (URI) Änderung

Pichler Michalis, Hrsg.: Conceptual Poetics Day 2018, 2018

conceptual-poetics-day-2018
conceptual-poetics-day-2018
conceptual-poetics-day-2018

Pichler Michalis, Hrsg.: Conceptual Poetics Day 2018, 2018


Pichler Michalis, Hrsg.
Conceptual Poetics Day 2018
Berlin (Deutschland): Haus der Kulturen der Welt, 2018
(Plakat) 42x29,8 cm,
Techn. Angaben Beidseitig bedrucktes Plakat.
ZusatzInformation Plakat mit dem Programm zum CONCEPTUAL POETICS DAY 2018, Haus der Kulturen der Welt, Berlin, 05.05.2018 im Rahmen der Künstlerbuchmesse Miss Read.
Der Conceptual Poetics Day ist eine jährlich stattfindende Veranstaltung, die die Grenze zwischen bildender Kunst und Literatur auslotet. Mit Vorträgen, Lesungen, Diskusionen, Perforativem.
Namen Adeline Mannarini / Annette Gilbert / David Desrimais / Deborah Bürgel / Dieter Daniels / Hannes Bajohr / Jennifer Hope Davy / Jeremy Fernando / Julia Hölzl / Jurczok 1001 / Karl Holmqvist / Lars Blunck / León Muñoz Santini / Mariana Castillo Deball / Michalis Pichler / Nemanja Mitrovic / Sean Ashton / Sharon Kivland / Simon Morris
Sprache Deutsch / Englisch
Geschenk von Albert Coers
Stichwort Lesung / Literatur / Messe / Miss Read / Poesie / Postnaiv
WEB http://conceptualpoeticsday.org/
TitelNummer
025672K76 Einzeltitelanzeige (URI) Änderung
young-fresh-and-relevant-3-2013
young-fresh-and-relevant-3-2013
young-fresh-and-relevant-3-2013

Stead Chloe / Jagoe Rebecca, Hrsg.: Young, Fresh and Relevant Issue 3, 2013


Jagoe Rebecca / Stead Chloe, Hrsg.
Young, Fresh and Relevant Issue 3
o. A. (Deutschland): Vanity Verlag, 2013
(Buch) 68 S., 19,5x14 cm, Auflage: 250,
Techn. Angaben grüner Schutzumschlag mit Risoprint,
ZusatzInformation Young, Fresh and Relevant is a yearly open submission journal with the aim of carving a space for writing within the visual arts. YFR hopes to be accessible for a new generation of young (in their practice rather than age) artists who may never have had their writing published, as well as aiming to attract practitioners who are more familiar with the Art Writing / publishing scene.
Text von der Webseite
Namen Andra Quitzimouche / Becky Johnson and Christopher Piegza / Benjamin Burtenshaw / Catherine Alisa Jones / Ellen Wilkinson / Emily Ilett / Franziska Kabisch / Katharina Schücke / Magdalena Schrefel / Marie Toseland / Maru Rojas / Miroslava Svolikova / Nick Koppenhagen / Rebecca Jagoe / Sophie Marie Hammer / Thea Smith
Sprache Deutsch / Englisch
Geschenk von Hammann & von Mier
WEB www.youngfreshrelevant.com
TitelNummer
010539352 Einzeltitelanzeige (URI) Änderung
hale-morris-inside
hale-morris-inside
hale-morris-inside

Hale Joe: Getting Inside Simon Morris Head, 2014


Hale Joe
Getting Inside Simon Morris Head
York (Großbritannien): information as material, 2014
(Buch) 324 S., 19,8x12,8 cm, Auflage: 500, ISBN/ISSN 978-1-907468-21-6
Techn. Angaben Softcover, Taschenbuch
ZusatzInformation Getting Inside Simon Morris’ Head is a performative retyping of Simon Morris’ conceptual bookwork Getting Inside Jack Kerouac’s Head. Like Morris’ original performance of retyping the scroll edition of Jack Kerouac’s On the Road, Joe Hale’s project first appeared as a blog. At the rate of one page per day, like Morris retyping Kerouac before him, Hale retyped Morris’ entire book and in doing so re-retraces Kerouac’s famous adventure. Morris gave us all of Kerouac’s pages in reverse order: each blog post presented one page and the default settings of the blog platform organised his posts in reverse order, from the newest to the oldest. Now inverted again, as a double negative, Hale has restored the direction of travel to the story and produced a wholly (un)original new text. This first printed edition takes the imitative gesture to a new extreme. It features an introductory essay by poet Kenneth Goldsmith and reuses Morris’ paratext. From the cover design to the choice of paper, Hale tests the limits of conceptual extension.
Text von der Webseite
Namen Jack Kerouac / Kenneth Goldsmith / Simon Morris
Geschenk von Simon Morris
Stichwort Literatur / Schreiben
WEB www.informationasmaterial.org
TitelNummer
012287451 Einzeltitelanzeige (URI) Änderung
lippard-six-years
lippard-six-years
lippard-six-years

Lippard Lucy R., Hrsg.: Six years: The dematerialization of the art object from 1966 to 1972 ..., 1997


Lippard Lucy R., Hrsg.
Six years: The dematerialization of the art object from 1966 to 1972 ...
Berkeley, CA / Los Angeles, CA (Vereinigte Staaten von Amerika): University of California Press, 1997
(Buch) 272 S., 21,5x17,5 cm, ISBN/ISSN 9780520210134
Techn. Angaben Hardcover, Exlibris der Pratt Institute Library, mit Ausmusterungsstempeln
ZusatzInformation Titelergänzung: The dematerialization of the art object from 1966 to 1972 : a cross-reference book of information on some esthetic boundaries : consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, antiform, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard.
In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists — a historical survey and essential reference book for the period.
Text von der Webseite
Ursprünglich publiziert 1973 bei Praeger, New York
Sprache Englisch
Stichwort 1970er Jahre / 1980er Jahre / concept art / Fluxus / Konzeptkunst / Künstlerbücher
WEB www.ucpress.edu/book.php?isbn=9780520210134
TitelNummer
023699657 Einzeltitelanzeige (URI) Änderung
melgard-color-baby
melgard-color-baby
melgard-color-baby

Melgard Holly: colors for baby, 2011


Melgard Holly
colors for baby
Buffalo, NY (Vereinigte Staaten von Amerika): Troll Thread Press, 2011
(Buch) [44] S., 19,1x19,1 cm, Auflage: print on demand, ISBN/ISSN 5800056619202
Techn. Angaben Broschur, Softcover, Digitaldruck
ZusatzInformation Poems for Baby Trilogy I.
Sprache Englisch
Stichwort Bild / Conceptual Writing / Experiment / Farbe / Form / Kinderbuch / Konzeptkunst / Quadrat / Text
WEB http://www.lulu.com/shop/holly-melgard/poems-for-baby-trilogy-i-colors-for-baby/paperback/product-15237960.html
TitelNummer
026085721 Einzeltitelanzeige (URI) Änderung
melgard-foods-baby
melgard-foods-baby
melgard-foods-baby

Melgard Holly: foods for baby, 2011


Melgard Holly
foods for baby
Buffalo, NY (Vereinigte Staaten von Amerika): Troll Thread Press, 2011
(Buch) [146] S., 19x19 cm, Auflage: print on demand, ISBN/ISSN 5800056620161
Techn. Angaben Broschur, Softcover, Digitaldruck
ZusatzInformation Poems for baby Trilogy II. Colors for baby and shapes for baby sind ebenfalls in dieser Ausgabe enthalten.
Sprache Englisch
Stichwort Bild / Conceptual Writing / Essen / Experiment / Farbe / Form / Kinderbuch / Konzeptkunst / Kreis / Linie / Quadrat / Text
WEB http://www.lulu.com/shop/holly-melgard/poems-for-baby-trilogy-ii-foods-for-baby/paperback/product-15237973.html
TitelNummer
026086721 Einzeltitelanzeige (URI) Änderung
melgard-shapes-baby
melgard-shapes-baby
melgard-shapes-baby

Melgard Holly: shapes for baby, 2011


Melgard Holly
shapes for baby
Buffalo, NY (Vereinigte Staaten von Amerika): Troll Thread Press, 2011
(Buch) [48] S., 19x19 cm, Auflage: print on demand, ISBN/ISSN 5800056620468
Techn. Angaben Broschur, Softcover, digitaldruck
ZusatzInformation Poems for baby Trilogy III.
Sprache Englisch
Stichwort Bild / Conceptual Writing / Essen / Experiment / Farbe / Form / Kinderbuch / Konzeptkunst / Linie / Quadrat / Text
WEB http://www.lulu.com/shop/holly-melgard/poems-for-baby-trilogy-iii-shapes-for-baby/ebook/product-17362604.html
TitelNummer
026087721 Einzeltitelanzeige (URI) Änderung
goldsmith_wasting_time
goldsmith_wasting_time
goldsmith_wasting_time

Goldsmith Kenneth: Wasting Time on the Internet, 2016


Goldsmith Kenneth
Wasting Time on the Internet
New York, NY (Vereinigte Staaten von Amerika): Harper Collins, 2016
(Buch) 256 S., 18,1x12,4 cm, ISBN/ISSN 978-0-06-241647-6
Techn. Angaben Broschur
ZusatzInformation Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that “wasted” time differently. Unlike old media, the internet demands active engagement—and it’s actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called “Wasting Time on the Internet”, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith’s ideas struck a nerve, because they are brilliantly subversive—and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we’re “wasting time,” we’re actually creating a culture of collaboration. We’re reading and writing more—and quite differently. And we’re turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable—like the internet itself—Wasting Time on the Internet is the manifesto you didn’t know you needed.
Text von der Webseite
Namen Aaron Swartz / Andy Warhol / John Berger / Marcel Duchamp
Sprache Englisch
Stichwort 2010er Jahre / Appropriation / Archiv / Bildersuche / Computer / Experiment / Google / Internet / Kreativität / Pinterest / Ready Made / Schreiben / Text
WEB https://www.harpercollins.com/9780062416476/wasting-time-on-the-internet/
TitelNummer
026240717 Einzeltitelanzeige (URI) Änderung
morris-re-writing-freud
morris-re-writing-freud
morris-re-writing-freud

Morris Simon: Re-Writing Freud - 4 The Interpretation of Dreams, 2005


Morris Simon
Re-Writing Freud - 4 The Interpretation of Dreams
York (Großbritannien): information as material, 2005
(Buch) 752 S., 19,8x12,6 cm, Auflage: 1000, signiert, 2 Stück. ISBN/ISSN 0-9536765-8-7
Techn. Angaben Softcover, Taschenbuch. Translated by a Lingo algorithm, programmed by Christine Morris
ZusatzInformation For this book work, Re-Writing Freud the artist Simon Morris has re-written Sigmund Freud’s The Interpretation of Dreams. A computer programme (designed by Christine Morris) randomly selects words, one at a time from Freud’s 222,704 word text and begins to reconstruct the entire book, word by word, making a new book with the same words, every time the programme is re-started. This book is one instantiation of that process, scrupulously typeset according to the dimensions, fonts, chapter divisions and paragraph lengths of the 1976 Penguin paperback edition of Freud’s work, and printed on equivalent paper stocks.
Text von der Webseite
Stichwort Nullerjahre
WEB www.informationasmaterial.org
TitelNummer
006207198 Einzeltitelanzeige (URI) Änderung
andreasen-the-place-of-writing
andreasen-the-place-of-writing
andreasen-the-place-of-writing

Andreasen Kasper: The Place of Writing, 2014


Andreasen Kasper
The Place of Writing
Hasselt (Belgien): Cultuurcentrum Hasselt, 2014
(Buch) 88 S., 24x17 cm, Auflage: 350, ISBN/ISSN 978-90-90287-71-3
Techn. Angaben Softcover, gebunden
ZusatzInformation Buch zur Ausstellung The Place of Writing, vom 16.11.2014 bis 11.01.2015 in Hasselt, Belgien
Sprache Englisch / Niederländisch
WEB www.kasperandreasen.com
TitelNummer
012716452 Einzeltitelanzeige (URI) Änderung
goldsmith-uncreative-writing
goldsmith-uncreative-writing
goldsmith-uncreative-writing

Goldsmith Kenneth: Uncreative Writing, 2017


Goldsmith Kenneth
Uncreative Writing
Berlin (Deutschland): Matthes & Seitz, 2017
(Buch) 260 S., 22x14,5 cm, ISBN/ISSN 978-3-95757-252-3
Techn. Angaben Hardcover mit Schutzumschlag, handschriftliche Anmerkungen und Unterstreichungen
ZusatzInformation Englische Originalausgabe von 2011.
In einer Welt, in der jeder Text überall und sofort verfügbar ist, geht es immer weniger um das Schaffen von Neuem als den Umgang mit vorhandenem Text. Kenneth Goldsmith fordert daher, die Möglichkeiten des Internets ernst zu nehmen, die unser Schreib- und Leseverhalten radikal verändern. Inspiration und Expression gehören der Vergangenheit an. Goldsmith fordert das Plagiat und bewusste Unkreativität als radikale Strategien zur Erweiterung der Literatur, die sich seit den Experimenten der klassischen Moderne nicht mehr weiterbewegt hat. Im Gegensatz zum Kulturpessimismus, der Internet und Digitalisierung als Gefahr für die Literatur sieht, heißt er die digitale Welt enthusiastisch willkommen. Kopieren, Programmieren, Automatisieren sind die neuen literarischen Werkzeuge, ihre Genres heißen Plagiat, Remix, Appropriation. Sein epochemachendes Buch, das die erste ernst zu nehmende Poetik seit 50 Jahren ist, wird hier zum ersten Mal auf Deutsch veröffentlicht, ergänzt um ein neues, für die deutsche Ausgabe geschriebenes Kapitel. Text von der Webseite
Namen Andy Warhol / Asger Jorn / Bill Kennedy / Claude Closky / Craig Dworkin / Darren Wershler-Henry / Douglas Huebler / Eugen Gomringer / Gertrude Stein / Henri Chopin / John Cage / John Lichfield / lawrence Weiner / Lucy Lippard / Marcel Duchamp / Marshall McLuhan / Max Bense / Noigandres / Richard Kostelanetz / Robert Fitterman / Roland Barthes / Ron Silliman / Simon Morris / Sol LeWitt / Walter Benjamin / Yoko Ono
Sprache Deutsch
Stichwort Appropriation / Computer / Experiment / Internet / Konkrete Poesie / Lettrismus / Literatur / Manipulation / Plagiat / Recycling / Schreiben / Text
WEB www.matthes-seitz-berlin.de/buch/uncreative-writing.html?lid=4
TitelNummer
024767674 Einzeltitelanzeige (URI) Änderung

Yingchun Zhu: The Language of Bugs, 2018

yingchun-the-language-of-bugs
yingchun-the-language-of-bugs
yingchun-the-language-of-bugs

Yingchun Zhu: The Language of Bugs, 2018


Yingchun Zhu
The Language of Bugs
Suffolk (Großbritannien): Acc Art Books, 2018
(Buch) [334] S., 18,5x13,5 cm, ISBN/ISSN 978-1-85149-885-7
Techn. Angaben Broschur mit aufklappbarem Cover und Bauchbinde, Fadenheftung, teils aufklappbare Seiten.
ZusatzInformation This award-winning contemporary art book is made completely from the perspective and language of bugs, from the front page to the final chapter, with no human writing and text, only the "writing" of bugs. Inspired by the marks left behind by a cicada walking across his sketchbook, contemporary artist Zhu Yingchun placed boards and "ink ponds" of dark-coloured vegetable juices in his garden for the bugs to crawl through. The resulting marks, were thousands of twisted characters, each with a charm of its own - the language of the bugs. The accompanying booklet explains the artist's concept and QR code links the reader to a video of the process.
"The bugs seem insignificant, but their strokes are beautiful," says Zhu Yingchun. "Art is not just those pieces hanging on walls and placed in exhibition halls. Everything in the world, including every life in nature, has the power to create beauty, and art is all around us.
Text von der Webseite.
Sprache Englisch / Kryptisch
Geschenk von Anne Stukenborg
Stichwort Insekten / Käfer / Morphologie / Schrift
WEB https://www.accartbooks.com/uk/store/pv/9781851498857/the-language-of-bugs/zhu-yingchun/
TitelNummer
025118680 Einzeltitelanzeige (URI) Änderung

Dean Tacita: Seven Books Grey, 2011

tacita-dean-seven-books-grey-schuber
tacita-dean-seven-books-grey-schuber
tacita-dean-seven-books-grey-schuber

Dean Tacita: Seven Books Grey, 2011


Dean Tacita
Seven Books Grey
Wien / Göttingen (Österreich / Deutschland): mumok Museum Moderner Kunst Stiftung Ludwig Wien / Steidl, 2011
(Buch / Sammeltuete, Schachtel, Kassette) 26,8x19,8x6,2 cm, 7 Teile. ISBN/ISSN 978-3-86930299-7
Techn. Angaben Schuber mit sieben Büchern (Boschur).
ZusatzInformation Englische Ausgabe. Erschienen anlässlich der Ausstellung "The Line of Fate" im mumok, Wien, 04.03.-29.05.2011.
Seven Books Grey is an updated, expanded version of Tacita Dean’s Seven Books (2003), and is an exploration of Dean’s oeuvre as it straddles film, drawing, photography, writing and book-making. Each book has a different focus and together they are an accurate survey of Dean’s work to date.
Book One: “Complete Works and Filmography 1991–2011”
Book Two: “Selected Writings 1992–2011” (Dean’s writings)
Book Three: “A Panegyric, Gaeta, Edwin Parker” (three projects made with and about Cy Twombly)
Book Four: “Film Works with Merce Cunningham”
Book Five: “Footage” (artist’s book with a text by Marina Warner taking a cultural-historical look at the foot and the significance of limping)
Book Six: “Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean” (essay by Christa-Maria Lerm Hayes)
Book Seven: “Essays on the Work of Tacita Dean” (texts by Wolfram Pichler, Peter Bürger, Douglas Crimp and Achim Hochdörfer)
Text von der Webseite
Namen Achim Hochdörfer (Text) / Christa-Maria Lerm Hayes (Text) / Cy Twombly / Douglas Crimp (Text) / Joseph Beuys / Marina Warner (Text) / Merce Cunningham / Peter Bürger (Text) / W.G. Sebald / Wolfram Pichler (Text)
Sprache Deutsch / Englisch
Stichwort 2010er Jahre / Film / Fotografie / Text / Writing
TitelNummer
025588686 Einzeltitelanzeige (URI) Änderung
artlife-volume-2-no-9
artlife-volume-2-no-9
artlife-volume-2-no-9

Cardella Joe, Hrsg.: Art/Life Volume 02, Number 09, 1982


Cardella Joe, Hrsg.
Art/Life Volume 02, Number 09
Santa Barbara, CA (Vereinigte Staaten von Amerika): Art/Life, 1982
(Zeitschrift, Magazin) [92] S., 28,3x22 cm, Auflage: 125, signiert,
Techn. Angaben Einzelblätter in Klemmschiene. Originalarbeiten, verschiedene Papiere und Techniken, Blätter signiert, gestempelt bemalt und beklebt
ZusatzInformation Originating as a conceptual exchange among artists, Art/Life Magazine, was one of the longest continually published artists’ periodicals of the 20th century, presenting a diverse array of art during its 25-year history. Art/Life founder Joe Cardella had asked artists to submit and mail original artworks from all over the world to be compiled into limited edition magazines. As a way to increase accessibility to contemporary art practice, Art/Life documented the lives of the artists, their thoughts, emotions, and creative processes through the transition from industrial to digital art practice. The magazine’s legacy can be seen at MoMa, the Guggenheim, Getty, and LACMA, portraying a global consciousness and collaboration between distanced networks of contemporary artists.
Text von der Webseite
Namen John Weber (Cover)
Sprache Englisch
Stichwort 1980er Jahre / Assembling / Collage / Fotografie / Grafik / konkrete Kunst / Lyrik / Malerei / Poesie / Skulptur
WEB http://art-life.com
WEB https://www.printedmatter.org/catalog/43026
TitelNummer
000692489 Einzeltitelanzeige (URI) Änderung
lewitt brick wall
lewitt brick wall
lewitt brick wall

LeWitt Sol: Brick Wall, 1977


LeWitt Sol
Brick Wall
New York, NY (Vereinigte Staaten von Amerika): Tanglewood Press, 1977
(Buch) 32 unpag. S., 26x22 cm,
Techn. Angaben Softcover, Broschur
ZusatzInformation Brick Wall consists of sixteen, two-page prints that vary slightly in exposure. The piece surveys the repetition of form and texture to create a more complex whole, and exemplifies the utility of the camera to document processes and series, themes central to conceptual art.
Text von der Webseite
Stichwort 1970er Jahre / Konzeptkunst / Schwarz-Weiß-Fotografie
TitelNummer
002567350 Einzeltitelanzeige (URI) Änderung
naivsuper-cd 007
naivsuper-cd 007
naivsuper-cd 007

Shapes Dania: Soundsystem Pastoral, 2006


Shapes Dania
Soundsystem Pastoral
Berlin (Deutschland): naivsuper, 2006
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 007, Musik-CD in gefalteter Papphülle mit Beiblatt in transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInformation music by Daniel Lopatin aka Dania Shapes.
Soundsystem Pastoral was recorded by Daniel Lopatin aka Dania Shapes during the winter of 2004 using synthesizers, a first generation digital sequencer, and a freeware sound editor. It was remixed in 2006 for the release on naivsuper.
Celebrating the potential of amateurishness, decadence and romance in the realm of digital audio arts, Lopatin looks to marry the aesthetic sensibilities of experimental electronics with his allegiance to the classic 'beauty' in music. 'Glitch' is less a process for Lopatin -- rather it is an aesthetic impression which Lopatin emulates by hand. Pairing the residual effects of romantic, heart string melodies with steroidal, detailed, maximalist noise, Dania Shapes' audible bricolage is a tribute to both the beautiful and the broken all at once.
Working with simple tools such as handheld tape recorders, retro synthesizers, and a personal computer, Lopatin creates conceptual systems and processes to create a solo music that's beautiful and inventive, with interesting textures and unexpected sonic interventions. The music has a lush, ambient quality, but an edge as well. Throughout the CD, one finds a subtle use of repetition. The pieces are formally well-conceived and never contrived. The music is clearly indebted to heroes of electronica such as Christian Fennesz, William Basinski, and Brian Eno. and it has links to classic experimentalists such as David Tudor and David Behrman. Yet Lopatin maintains a more song-based musical position that results in an accessible product that will attract fans of ambient, post-rock, and experimental music
Namen Daniel Lopatin / Stephane Leonard
Stichwort Digitale Musik / Nullerjahre / Synthesyser
WEB www.naivsuper.de
TitelNummer
008576267 Einzeltitelanzeige (URI) Änderung

Gruppe Or-Om
Biennale-Konzept und Or-Om-Curating
Wien (Österreich): Gruppe Or-Om, 2011
(Flyer, Prospekt) 4 S., 29,7x21 cm,
Techn. Angaben Faltblatt mit Manifest
ZusatzInformation Die Gruppe OR-OM ist eine international tätige, virtuelle Non-Profit-Organisation für die Evolution von Kunst, Wissenschaft und Sozialformationen.
Seit 2005 präsentiert die Gruppe im Quartier für Digitale Kultur, Quartier 21 des Museumsquartiers in Wien kritische multimediale Conceptual Art mit theoretischen und praktischen Samples zur Erweiterung der Kunsttheorie, der wissenschaftlichen Grundlagenforschung (Logik, Mathematik und Erkenntnistheorie) und der globalen Gesellschaftsbeziehungen im Rahmen einer evolutiv neuen Grundwissenschaft und eines Universalistischen Humanismus.
Text von der Webseite
WEB www.portal.or-om.org
TitelNummer
008582214 Einzeltitelanzeige (URI) Änderung
duchamp journal
duchamp journal
duchamp journal

Herz Rudolf: Duchamp Journal - Le Mystère de Munich, 2012


Herz Rudolf
Duchamp Journal - Le Mystère de Munich
München (Deutschland): Moser Verlag, 2012
(Zeitschrift, Magazin) 47x32 cm,
Techn. Angaben Druck auf Zeitungspapier, Blätter lose ineinander gelegt
ZusatzInformation On June 21, 2012, precisely one hundred years will have passed since Marcel Duchamp arrived in Munich. He spent three months in the city, three months that were to radically change his art and turn him into one of the most influential artist of modernism. He is regarded as pioneer of conceptual art influencing numerous artists from Sol LeWitt to Ai Weiwei and still today continuously inspires new generations of artists.
On the anniversary of the French artist’s arrival, Munich’s Architecture Museum is presenting Rudolf Herz’s latest art project “Marcel Duchamp – Le mystère de Munich”, in which the artist investigates the background story of his predecessor’s stay in the Bavarian capital. The project includes a sculpture as well as a new book.
von der Webseite
WEB www.duchamp-munich.org
TitelNummer
009103279 Einzeltitelanzeige (URI) Änderung

Morrison Rachael / Senior David, Hrsg.
Millennium Magazines
New York, NY (Vereinigte Staaten von Amerika): MoMA Library, 2012
(Heft) 78 S., 29,7x21 cm,
Techn. Angaben Farbkopien nach PDF, lose ineinander gelegt, Dokumentation der Ausstellung
ZusatzInformation This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists’ magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Library’s sustained effort to document and collect this medium.
Text von der Webseite
WEB www.moma.org/visit/calendar/exhibitions/1244
TitelNummer
009734335 Einzeltitelanzeige (URI) Änderung
various small books
various small books
various small books

Brouws Jeff / Burton Wendy / Zschiegner Hermann, Hrsg.: Various Small Books - Referencing Various Small Books by Ed Ruscha, 2013


Brouws Jeff / Burton Wendy / Zschiegner Hermann, Hrsg.
Various Small Books - Referencing Various Small Books by Ed Ruscha
Cambridge, MA (Vereinigte Staaten von Amerika): the MIT Press, 2013
(Buch) 288 S., 23,6x15,8 cm, ISBN/ISSN 978-0-262-01877-7
Techn. Angaben Hardcover Leinen
ZusatzInformation In the 1960s and 1970s, the artist Ed Ruscha created a series of small photo-conceptual artist’s books, among them Twentysix Gas Stations, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees. Featuring mundane subjects photographed prosaically, with idiosyncratically deadpan titles, these “small books” were sought after, collected, and loved by Ruscha’s fans and fellow artists. Over the past thirty years, close to 100 other small books that appropriated or paid homage to Ruscha’s have appeared throughout the world. This book collects ninety-one of these projects, showcasing the cover and sample layouts from each along with a description of the work. It also includes selections from Ruscha’s books and an appendix listing all known Ruscha book tributes.
Text von der Webseite
Namen Ed Ruscha
Stichwort 1960er Jahre / 1970er Jahre / Künstlerbücher
TitelNummer
010200344 Einzeltitelanzeige (URI) Änderung
brunnmeier-souvenirs-voles
brunnmeier-souvenirs-voles
brunnmeier-souvenirs-voles

Brunnmeier Quirin: souvenirs volés, 2013


Brunnmeier Quirin
souvenirs volés
München (Deutschland): ApparentMotion, 2013
(Heft) 24 unpag. S., 21x14,7 cm, Auflage: 30, signiert,
Techn. Angaben Drahtheftung, zwei verschiedene Papiere, in Pergaminhülle
ZusatzInformation 'say cheese', 'please laugh', 'show your smile' - this is what people usually say, when they take a private picture of their friends or family. These pictures normally remain in the private sphere of the photographer and are only shown to a selected audience. For this conceptual and experimental photo-series such private images have been forcefully appropriated: individual prints have been taken randomly from drug stores and photo developers, the pictures where selected and then set in relation to others. The negatives of these images were not taken. Unlike the concept of the objet trouvé, where found objects and materials are the basis for creative work, the images used in this project are objets appropriés, they have been actively taken rather than found. They are documents of other peoples memories, memento mori of their existence, beautiful in their own right. By blurring and distorting them, the concept of remembering and forgetting, documentation and memory is questioned.
Text von der Webseite
WEB www.apparent-motion.net
TitelNummer
011762418 Einzeltitelanzeige (URI) Änderung
steinbrecher-art-lover
steinbrecher-art-lover
steinbrecher-art-lover

Steinbrecher Erik: Art Lover, 2014


Steinbrecher Erik
Art Lover
Zürich (Schweiz): Nieves, 2014
(Zine) 48 S., 17,8 x 11,2 cm, ISBN/ISSN 978-3-905999-51-8
Techn. Angaben Broschur, First Edition
ZusatzInformation Erik Steinbrecher is a true art lover. He loves art and makes art ever since he can remember. This small volume for the first time combines a selection of his collected sketches and drawings from the early 80ies up until now. doodles, drafts, gouaches, chalkdrawings, montages on paper. It is about conceptual studies, outlines for artworks and concrete art.
Text von der Webseite
Geschenk von Christian Topp
TitelNummer
011879424 Einzeltitelanzeige (URI) Änderung
schierloh-waschmaschinentest-2k14
schierloh-waschmaschinentest-2k14
schierloh-waschmaschinentest-2k14

Schierloh Sascha, Hrsg.: Waschmachinenfest 2K14, 2014


Schierloh Sascha, Hrsg.
Waschmachinenfest 2K14
München (Deutschland): Raketenbasis Haberlandstrasse, 2014
(Musik-Kassette, MC) 7,5x12,5x2 cm,
Techn. Angaben Musikkassette in Waschbeutel mit Reißverschluss, mit 2 Aufklebern gehalten
ZusatzInformation released 08 October 2014
Our journey through the wicked world of weird audio tapes continues with the first release of the freshly founded LIMBS-label which is the new "Waschmaschinenfest 2K14" compilation, a C30 cassette based on Field Recordings of - well... - washers. Recorded, contributed and remixed - sic! - by artists like Xotox, Klonk, Low Entropy, Jasmina, Fgnugen, Aehm and Indesit we're introduced to quite a few different types of washers e.g. ones crafted by Bauknecht, Haier, Siwamat etc. and their typical, mechanic sound patterns as well as to dark'ish Drones, haunting athmospheres and cold, scampering experimental Tribe Tekno for underground soundsystems and chemically polluted teknival scapes. Quite interesting for collectors of conceptual releases - and washers.
Text von der Webseite
WEB www.raketenbasis-haberlandstrasse.bandcamp.com/album/waschmaschinenfest-2k14
TitelNummer
014022512 Einzeltitelanzeige (URI) Änderung

Arcangel Cory
Title TK - Cory Ancangel, Alan Licht and Howie Chen
Los Angeles, CA (Vereinigte Staaten von Amerika): Getty Center, 2014
(Ephemera, div. Papiere) 4 S., 29,7x21 cm,
Techn. Angaben Farblasercopy nach PDF
ZusatzInformation NEWS FROM THE GETTY, 25.09.2015. Featuring a performance by Madalyn Merkey. October 11, 2014 at 7:30p.m. Harold M. Williams Auditorium, Getty Center.
LOS ANGELES – Artist Cory Arcangel will bring his distinctive brand of conceptual art to the Getty on October 11
when he performs with Title TK.
Title TK is a "banter-prone band" consisting of Arcangel, musician Alan Licht, and curator Howie Chen, who describe themselves as a cross between poet-performer David Antin and faux-band Spinal Tap.
Text aus dem PDF
Namen Alan Licht / David Antin / Howie Chen / Madalyn Merkey
Stichwort Performance
TitelNummer
014430516 Einzeltitelanzeige (URI) Änderung

Barutzki Kathrin, Hrsg.
Artists Publications: Revisions of Multiples and Conceptual Photography around 1970
New York, NY (Vereinigte Staaten von Amerika): arthist.net, 2015
(Text) 4 S., 29,7x21 cm,
Techn. Angaben Schwarz-Weiß-Laserausdruck nach Webseite
ZusatzInformation Aufruf zu einem PhD-student workshop der Universität von Köln und deren New Yorker Büro. Im Deutschen Generalkonsulat (CFP), May 20, 2016.
History and Functions, Production and Distribution, Presentation, Reception and Discourses. Programm
Sprache Englisch
Stichwort 1970er Jahre / Geschichte / Künstlerbücher / Theorie / Universität / Workshop
TitelNummer
014536304 Einzeltitelanzeige (URI) Änderung
pichler-conceptual-poetics-day-2014
pichler-conceptual-poetics-day-2014
pichler-conceptual-poetics-day-2014

Pichler Michalis, Hrsg.: Conceptual Poetics Day 2014, 2014


Pichler Michalis, Hrsg.
Conceptual Poetics Day 2014
Berlin (Deutschland): Literaturwerkstatt Berlin, 2014
(Plakat) 16 unpag. S., 14,8x21 cm,
Techn. Angaben Poster und Programm mehrfach gefaltet
ZusatzInformation Am 7.12.2014. Poster von John Stezaker
Namen Annette Gilbert / Charles Bernstein / Christian Bök / Christine Lemke / Cia Rinne / Hank Schmidt in der Beek / Hubert Kretschmer / Jan Wenzel / John Holten / John Stezaker / Jérémie Bennequin / Karl Holmquist / Leonce Lupette / Mara Genschel / Michael Otto / Michalis Pichler / Norbert Lange / Olaf Niclolai / Shane Anderson / Simon Morris / Thomas Geiger / Tobias Amslinger
Geschenk von Michalis Pichler
WEB www.conceptualpoetics.org
TitelNummer
014573524 Einzeltitelanzeige (URI) Änderung
monk-p
monk-p
monk-p

Monk Jonathan: P, 2002


Monk Jonathan
P
Frankfurt am Main (Deutschland): Revolver Publishing, 2002
(Buch) 72 S., 12,4x11,9 cm, Auflage: 500, ISBN/ISSN 978-3-934823-80-8
Techn. Angaben Broschur
ZusatzInformation Aus der Reihe Revolverle for all ages.
For this new series of children's books several artists have been commissioned to develop conceptual projects for all ages. Jonathan Monk's exercise in potato print is the pilot volume for more to come in 2004, such as new children’s books projects by David Shrigley, Tobias Rehberger, Martin Boyce, Sebastian Stöhrer and Rupprecht Matthies …
Text von der Webseite
Namen David Shrigley / Martin Boyce / Rupprecht Matthies / Sebastian Stöhrer / Tobias Rehberger
Stichwort KInderbuch / Nullerjahre
TitelNummer
014985557 Einzeltitelanzeige (URI) Änderung

Camps Yaiza / Grünke Moritz / Pichler Michalis, Hrsg.
Miss Read - The Berlin Art Book Fair 2016
Berlin (Deutschland): Akademie der Künste, 2016
(Flyer, Prospekt) [10] S., 29,7x21 cm,
Techn. Angaben geklammert, Farblaserkopien, Programm, einmal gefaltet,
ZusatzInformation Besucherinformationen und Empfehlungen, Details zur Stage und zum Conceptual Poetics Day am 10.-12.06.2016 in der Akademie der Künste Berlin
Sprache Englisch
Stichwort Kleinverlage / Künstlerbüchermesse / Messe / Vortrag
WEB www.missread.com
TitelNummer
015931563 Einzeltitelanzeige (URI) Änderung
miss-read-art-book-fair-2016
miss-read-art-book-fair-2016
miss-read-art-book-fair-2016

Camps Yaiza / Grünke Moritz / Pichler Michalis, Hrsg.: Miss Read - The Berlin Art Book Fair 2016, 2016


Camps Yaiza / Grünke Moritz / Pichler Michalis, Hrsg.
Miss Read - The Berlin Art Book Fair 2016
Berlin (Deutschland): Akademie der Künste, 2016
(Buch) 108 S., 21x14,7 cm, 2 Stück.
Techn. Angaben Broschur, Programm und Ausstellerverzeichnis,
ZusatzInformation zur Veranstaltung vom 10.-12.06.2016 in der Akademie der Künste Berlin.
Miss Read: The Berlin Art Book Fair brings together a wide selection of the most interesting artists/authors, artist periodicals and art publishers and is accompanied by a series of lectures, discussions, book launches and workshops exploring the boundaries of contemporary publishing and the possibilities of the book.
In conjunction, the Conceptual Poetics Day will explore the imaginary border between visual art and literature.
In 2016 Miss Read: The Berlin Art Book Fair will return to Akademie der Künste, Berlin, who will provide their main exhibition halls at Hanseatenweg.
Text von der Webseite
Sprache Englisch
Stichwort Künstlerbuchmesse
WEB www.missread.com
TitelNummer
015932563 Einzeltitelanzeige (URI) Änderung
sam-connect-the-dots
sam-connect-the-dots
sam-connect-the-dots

Baron Sam, Hrsg.: Connect the dots (however you like), 2016


Baron Sam, Hrsg.
Connect the dots (however you like)
Lissabon (Portugal): FABRICAFEATURES, 2016
(PostKarte) 2 S., 11x16 cm,
Techn. Angaben Postkarte
ZusatzInformation Fabrica Features is the brand communicating the ideals and creative output of the Fabrica design studio. It is defined by the attitudes and creations of the young international people who work there, refreshed by the coming and going of studio members. Their process is informed by enquiry into rituals and materials, defining a language that is thoughtful, eclectic and alternative. The focus is on conceptual objects, limited collections and prototypes, produced under the brand – which is the meeting point between the studio and the outside world. Such encounters happen in galleries, museums, online and designated Fabrica Features spaces found throughout Europe. Text von Website
Stichwort Design
WEB www.fabricafeatures.com
TitelNummer
016259601 Einzeltitelanzeige (URI) Änderung
carrion-dear-reader
carrion-dear-reader
carrion-dear-reader

Schraenen Guy, Hrsg.: Ulises Carrion - Dear reader. Don't read., 2016


Schraenen Guy, Hrsg.
Ulises Carrion - Dear reader. Don't read.
Madrid (Spanien): Museo Nacional Centro de Arte Reina Sofia, 2016
(Buch) 272 S., 26,9x19 cm,
Techn. Angaben Broschur
ZusatzInformation Ausstellung vom 16.03.-10.10.2016 im Sabatini Building Floor 3.
A key figure in Mexican conceptual art, Ulises Carrión (1941, San Andrés Tuxtla, Mexico – 1989, Amsterdam) was an artist, editor, curator, and theorist of the post-1960s international artistic avant-garde.
Texts by Guy Schraenen, Felipe Ehrenberg and João Fernandes, among others, illustrate all aspects of his artistic and intellectual work. From his early career as a young, successful writer in Mexico to his numerous activities in Amsterdam where he cofounded the independent artists' run space In-Out Center and founded the legendary bookshop-gallery Other Books and So (1975–79), the first of its kind dedicated to artists’ publications.
Text von der Webseite
Namen Felipe Ehrenberg / Guy Schraenen / Heriberto Yépez / Javier Maderuelo / João Fernandes / Maike Aden
Sprache Englisch
Geschenk von Mela Davila
Stichwort Archive / Ausstellung / KonzeptKunst / Künstlerbücher / Mail Art
TitelNummer
016386563 Einzeltitelanzeige (URI) Änderung
sprachen-jenseits-von-dichtung
sprachen-jenseits-von-dichtung
sprachen-jenseits-von-dichtung

Marquardt Axel, Hrsg.: Sprachen jenseits von Dichtung, 1979


Marquardt Axel, Hrsg.
Sprachen jenseits von Dichtung
Münster (Deutschland): Westfälischer Kunstverein, 1979
(Buch) 214 S., 27x22,3 cm,
Techn. Angaben Broschur

Stichwort 20. Jahrhundert / 1970er Jahre / 1980er Jahre / Conceptual art / Konkrete Poesie / Konzeptkunst / Schrift / Sound art / Typografie / Visuelle Poesie
TitelNummer
016428580 Einzeltitelanzeige (URI) Änderung

Hosa Bernhard
Hyperkinesia
Nikosia (Zypern): the Office Gallery, 2016
(Plakat) 59x42 cm,
Techn. Angaben Plakat,
ZusatzInformation The Office gallery presents new works by the Austrian artist Bernhard Hosa in his exhibition Hyperkinesia, starting on June 30, 2016.
Hosa's photo collages, objects and installations are reduced, almost minimalist in appearance and usually based on concrete themes. His starting point is the tension between the individual and a normative society. Based on an engagement with the biological view of the inside and of the outside, on man as an object of scientific study and on the measurement of the human body, he develops his own formal language on the interface between conceptual art and an aesthetic approach. Hosa deconstructs his reflections with artistic strategies such as reproduction, variation or sequence, and practices such as dissection and the creation of new compositions. The resulting series of collages or objects and stringent arrangements of the space adopt the character of the contents of his research.
Text aus der Presseerklärung
Geschenk von the Office Gallery
Stichwort Ausstellung / Holzarbeiten
TitelNummer
016850079 Einzeltitelanzeige (URI) Änderung
baldessari-somewhere-between
baldessari-somewhere-between
baldessari-somewhere-between

Baldessari John: Somewhere Between Almost Right and Not Quite (With Orange), 2004


Baldessari John
Somewhere Between Almost Right and Not Quite (With Orange)
Ostfildern-Ruit (Deutschland): Hatje Cantz Verlag, 2004
(Buch) 104 S., 28,5x23,3 cm, ISBN/ISSN 3-7757-1559-2
Techn. Angaben Hardcover mit Prägung, oranges Vorsatzpapier,
ZusatzInformation Diese Publikation erschien anlässlich der gleichnamigen Ausstellung im Deutsche Guggenheim, 03.10.2004-16.01.2005.
Der amerikanische Künstler John Baldessari wurde Ende der 60er Jahre mit Werken bekannt, in denen er Bildmaterial aus den Massenmedien - wie man es aus der Pop Art kannte - mit Schrift kombinierte, wie die Conceptual Art sie verwendete. Schon früh begann Baldessari, Bilder und Texte aus der Werbe- und Filmbranche in seine Fotobilder zu integrieren. Er kontrastierte, beschnitt und bearbeitete das Bildmaterial in Verbindung mit Texten. Seine Montagen aus Fotografie und Schrift konterten immer wieder die von den einzelnen Szenen ausgelösten narrativen Assoziationen und bieten ein breiteres Spektrum an Bedeutungen. Die vielschichtigen, oft humorvollen Kompositionen lassen unterschiedlichste Deutungen zu und unterstreichen, wie relativ Bedeutung sein kann.
Text von Website
Sprache Deutsch
Stichwort Ausstellungskatalog / Fotografie / Malerei / Text
TitelNummer
019778628 Einzeltitelanzeige (URI) Änderung
allen-artists-magazines
allen-artists-magazines
allen-artists-magazines

Allen Gwen: Artists' Magazines - An Alternative Space for Art, 2015


Allen Gwen
Artists' Magazines - An Alternative Space for Art
Cambridge, MA / London (Vereinigte Staaten von Amerika / Großbritannien): the MIT Press, 2015
(Buch) 368 S., 24,8x19 cm, ISBN/ISSN 9780262528412
Techn. Angaben Broschur
ZusatzInformation Originalausgabe von 2011.
During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists’ Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists’ postage stamps, and collectible chapbooks, Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions, and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists’ Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Text von der Webseite
Erwähnt werden neben vorwiegend amerikanischen Magazinen auch europäische Magazine
Namen 4 taxis / Art-Language / Arte Postale! / Aspen / Audio Arts / Ausgabe / Avalanche / AXE / Commonpress / Der Löwe / Doc (k)s / Dé-Coll/age / Ephemera / IAC Info / Interfunktionen / King Kong International / Kunststoff / Lotta Poetica / Neon de Suro / Nervenkritik / Nota / Omnibus News / Ou / Pages / Palazzo / Reaktion / Salon / Sondern / ZG
Sprache Englisch
Stichwort 1960er Jahre / 1970er Jahre / 1980er Jahre / Konzeptkunst / Künstlermagazin / Künstlerzeitschrift / Multimedia / Theorie
WEB www.mitpress.mit.edu/books/artists-magazines
TitelNummer
023614657 Einzeltitelanzeige (URI) Änderung
querido-konzeption-conception-2017
querido-konzeption-conception-2017
querido-konzeption-conception-2017

Hermann Frank, Hrsg.: Konzeption Conception - Konzeptkunst Minimalismus Arte Povera Conceptual Art Minimalism Arte Povera 1965-1980, 2017


Hermann Frank, Hrsg.
Konzeption Conception - Konzeptkunst Minimalismus Arte Povera Conceptual Art Minimalism Arte Povera 1965-1980
Düsseldorf (Deutschland): Antiquariat Querido, 2017
(Lieferverzeichnis) 80 S., 29,7x21 cm,
Techn. Angaben Broschur, eingelegte Werbepostkarte für die Art Düsseldorf
ZusatzInformation Katalog Nr. 9
Sprache Deutsch
Stichwort 1960er Jahre / 1970er Jahre / Antiquariatskatalog / Arte Povera / Konzeptkunst / Minimalismus
WEB www.antiquariat-querido.de
TitelNummer
024326610 Einzeltitelanzeige (URI) Änderung
omo-acorn
omo-acorn
omo-acorn

Ono Yoko: Acorn, 2013


Ono Yoko
Acorn
Chapel Hill, NC (Vereinigte Staaten von Amerika): Algonquin Books of Chapel Hill, 2013
(Buch) [216] S., 16x13,4 cm, ISBN/ISSN 978-1-61620-377-1
Techn. Angaben Hardcover, Prägedruck
ZusatzInformation A version of this book was published in installments on the Internet during 1996 and 1997.
It’s nearly 50 years ago that my book of conceptual instructions Grapefruit was first published. In these pages I’m picking up where I left off. Now it's being published in book form. I'm riding a time machine that's going back to the old ways! Great! I added my dot drawings to give you further brainwork. I’m just planting the seeds. Have fun.
Text aus dem Buch.
Namen Courtney Andujar (Text Design)
Sprache Englisch
Stichwort 1970er Jahre / 1990er Jahre / Konzeptkunst / Lyric / Piece / Poesie
TitelNummer
025943722 Einzeltitelanzeige (URI) Änderung
bloom-gifts
bloom-gifts
bloom-gifts

Bloom Barbara: Gifts, 2015


Bloom Barbara
Gifts
Antwerpen (Belgien): Ludion, 2015
(Buch) 114 S., 24x15,7 cm, ISBN/ISSN 9789491819490
Techn. Angaben Fadengeheftet, Hardcover, mit signiertem Exlibris in Pergaminumschlag
ZusatzInformation A true gift is intimate. It is a carrier of meaning that involves the capacity to amuse, delight, and identify empathically with our recipient’s desires. This exceptional book by New York-based conceptual artist Barbara Bloom, entitled Gifts, explores the nature of gifts in relation to aspects such as wrapping, covering and uncovering, pleasure, and generosity.
A passionate collector of ornamental paper from all over the world, Bloom has studied the history and aesthetics of gift-wrapping in detail. In Gifts, she tries to blur the conventional distinction between art and life, whilst offering new insights on notions of concealment and revelation. ‘Can the box be an artwork? Can the wrapping be the gift?’ – she questions her readers.
Text von der Website.
Namen Emil Godefroit (Produktion) / Jirka De Preter (Design) / Prudence Crowther (Redaktion) / Susan Tallman (Text)
Sprache Englisch
Stichwort Design / Farbe / Geschenk / Muster / Papier / Print
WEB www.ludion.be
TitelNummer
025953723 Einzeltitelanzeige (URI) Änderung
fulton-walking-journey
fulton-walking-journey
fulton-walking-journey

Fulton Hamish: walking journey, 2002


Fulton Hamish
walking journey
London (Großbritannien): Tate Publishing, 2002
(Buch) 146 S., 29,7x23,5 cm, ISBN/ISSN 1854374117
Techn. Angaben Broschur, Softcover
ZusatzInformation Publikation anlässlich der Ausstellung vom 14.03-04.06.2002 Tate Britain, London. Since the early 1970s Hamish Fulton (born 1946) has been labelled as a sculptor, photographer, Conceptual artist and Land artist. Fulton, however, characterises himself as a 'walking artist'. In 1973, having walked 1,022 miles in 47 days from Duncansby Head (near John O'Groats) to Lands End, Fulton decided to 'only make art resulting from the experience of individual walks.' Since then the act of walking has remained central to Fulton's practice. He has stated 'If I do not walk, I cannot make a work of art' and has summed up this way of thinking in the simple statement of intent: 'no walk, no work'. Although only Fulton experiences the walk itself, the texts and photographs he presents in exhibitions and books allow us to engage with his experience.
Text von der Website.
Sprache Englisch
Stichwort 1970er Jahre / 1980er Jahre / Baum / Berg / England / Fotografie / Gehen / Grenze / Holz / Meer / Natur / Stein / Typografie / Wanderung
WEB https://www.tate.org.uk/whats-on/tate-britain/exhibition/hamish-fulton-walking-journey
TitelNummer
026080727 Einzeltitelanzeige (URI) Änderung
pichler_2015
pichler_2015
pichler_2015

Pichler Michalis / Gilbert Annette / Kümmel Clemens, Hrsg.: Michalis Pichler, 2015


Gilbert Annette / Kümmel Clemens / Pichler Michalis, Hrsg.
Michalis Pichler
Leipzig / New York (Deutschland / Vereinigte Staaten von Amerika): Printed Matter / Spector Books, 2015
(Buch) 240 S., 30,2x21,6 cm, ISBN/ISSN 978-0-89439-083-8
Techn. Angaben Hardcover, Leineneinband, aufgeprägte Zeichnung, Papier: Lessebo Nature 115 g
ZusatzInformation Published on occasion of the traveling exhibiton Michalis Pichler Greatest Hits, 05.06.-31.06.2015, printed matter, New York, and 22.10.-19.11.2015, Kunstverein Mailand.
This book is the first monograph focused on the practice of artist/author Michalis Pichler. Featuring eleven critical essays, an extensively illustrated catalogue, a conversation with John Stezaker, and selected writings by the artist, the book delivers a solid introduction into conceptual poetics.
Text von der Webseite
Auflage: Broschur 2000, Hardcover 400
Namen Annette Gilbert (Text) / Ariane Müller (Text) / Craig Dworkin (Text) / Eleanor Vonne Brown (Text) / John Stezaker (Text) / Magnus Wieland (Text) / Mark Gisbourne (Text) / Matthias Bleyl (Text) / Michalis Pichler (Text) / Patrick Greaney (Text) / Stefan Ripplinger (Text) / Tobias Amslinger (Text)
Sprache Englisch
Geschenk von Michalis Pichler
Stichwort 2010er Jahre / Appropriation / Konzept / Künstlerbuch / Publizieren / Reproduktion
WEB http://spectorbooks.com/thirteen-years-0
WEB http://www.buypichler.com/michalis-pichler-%25E2%2580%2593-monograph-published-printed-matter-inc-and-spector-books
TitelNummer
026244728 Einzeltitelanzeige (URI) Änderung
whitewalls-13
whitewalls-13
whitewalls-13

Spector Buzz, Hrsg.: WhiteWalls #13 Drawing in the 80s, 1986


Spector Buzz, Hrsg.
WhiteWalls #13 Drawing in the 80s
Chicago, IL (Vereinigte Staaten von Amerika): White Walls , 1986
(Zeitschrift, Magazin) 96 S., 21,7x14 cm, ISBN/ISSN 0190-9835
Techn. Angaben Broschur
ZusatzInformation A Magazine of Writing by Artists.
Founded in 1978 in Chicago by artist Buzz Spector and writers Reagan and Roberta Upshaw, Whitewalls began as a publication for artists working with language. For the most part Whitewalls is a straight-up sampler of artists' experimental projects for the page: each issue contains from half a dozen to several dozen artists employing text, image, and other notations in various combinations. While Whitewalls featured an international cast of emerging and established artists, it also provided a showcase for the Chicago area's experimental art community, including artists such as Jeane Dunning, Joseph Nechvatal, and Christopher Wool. Text von der Website
Mit Texten u. a. von Richard Artschwager, Andrea Blum, Christo, Mike Kelly, Lawrence Weiner, Mark Staff Brandl, Rosemary Mayer, Paolo Colombo, Joel Hubaut
Namen Andrea Blum / Christo / Christopher Wool / Jeane Dunning / Joel Hubaut / Joseph Nechvatal / Lawrence Weiner / Mark Staff Brandl / Mike Kelly / Paolo Colombo / Richard Artschwager / Rosemary Mayer
Stichwort 1980er Jahre / Literatur
TitelNummer
003535531 Einzeltitelanzeige (URI) Änderung
whitewalls-14
whitewalls-14
whitewalls-14

Spector Buzz, Hrsg.: WhiteWalls #14 Performance in text and image, 1986


Spector Buzz, Hrsg.
WhiteWalls #14 Performance in text and image
Chicago, IL (Vereinigte Staaten von Amerika): White Walls , 1986
(Zeitschrift, Magazin) 128 S., 21,7x14 cm, ISBN/ISSN 0190-9835
Techn. Angaben Broschur
ZusatzInformation A Magazine of Writing by Artists.
Namen Adrian Piper / Austé / Jack Balas / James Hugunin / Michael K. Meyers / Peter Lyssiotis / Roberta Allen / Rusty Kane / Sharon Evans
Stichwort 1980er Jahre
TitelNummer
003581531 Einzeltitelanzeige (URI) Änderung

Hvala Tea
In other wor(l)ds - Exercises in Collaborative Writing of Feminist-Queer Science Fiction
Ljubljana (Slowenien): Selbstverlag, 2008
(Buch)
Techn. Angaben Fotokopien Drahtheftung

Stichwort Nullerjahre
WEB www.prepih.blogspot.com
TitelNummer
007212226 Einzeltitelanzeige (URI) Änderung
mono.kultur 23
mono.kultur 23
mono.kultur 23

von Rabenau Kai, Hrsg.: MONO.KULTUR #23 Sissel Tolaas - Life is everywhere - I collected smells instead of writing a diary., 2010


von Rabenau Kai, Hrsg.
MONO.KULTUR #23 Sissel Tolaas - Life is everywhere - I collected smells instead of writing a diary.
Berlin (Deutschland): mono.kultur, 2010
(Zeitschrift, Magazin) 40 S., ISBN/ISSN 1861-7085
Techn. Angaben Drahtheftung, mit verschiedenen Düften versehen

Sprache Englisch
WEB www.mono-kultur.com
TitelNummer
007424243 Einzeltitelanzeige (URI) Änderung
Nevertheless 01
Nevertheless 01
Nevertheless 01

Olschinsky Peter, Hrsg.: nevertheless 01, 2011


Olschinsky Peter, Hrsg.
nevertheless 01
Wien (Österreich): atelier olschinsky, 2011
(Zeitschrift, Magazin) 320 S., 31x22 cm, Auflage: 1000, ISBN/ISSN 2219-7559
Techn. Angaben a magazine for places, spaces, art, work, people, projects, reading, writing, fashion, design, photo, graphic, illustration ohne Anzeigen, mit eingelegtem Lesezeichen

WEB www.nevertheless.at
TitelNummer
008224050 Einzeltitelanzeige (URI) Änderung

Tsereteli Wato, Hrsg.
Writing with Color
Tbilisi (Georgien): Center of Contemporary Art, 2011
(Buch) 70 S., 20,8x17 cm,
Techn. Angaben Klappumschlag

WEB www.cca.ge
TitelNummer
008235050 Einzeltitelanzeige (URI) Änderung



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